The Dark Crystal (1982) – Film Review

Despite the success of the recent prequel series: ‘The Dark Crystal: Age of Resistance’ on Netflix, most audiences still seem relatively unaware of the original: ‘Dark Crystal’s existence, which unfortunately, received mostly lukewarm reviews and massively underperformed at the box-office upon its initial release. Yet regardless of its age, ‘The Dark Crystal’ is still in my opinion, an extraordinary family adventure. Creating an intriguing and developed fantasy world brimming with plenty of memorable characters, spectacular locations and terrifying creatures, all flawlessly brought-to-life by the film’s enormous array of brilliant practical effects and detailed puppets.

Centuries-ago on the world of: ‘Thra’, the mysterious: ‘Dark Crystal’ was cracked and brought-forth two races. One, the villainous bird-like creatures known as the ‘Skeksis’, who now rule over the planet with an iron-fist, and the other, a peaceful race known as the ‘Mystics’. But after a young ‘Gelfling’s ‘Mystic’ master passes-on, ‘Jen’ is sent on a quest to locate the missing shard of: ‘The Dark Crystal’ and save his homeworld.

Directed by legendary puppeteers Jim Henson and Frank Oz, most known for their creation of the beloved ‘Muppets’ franchise. ‘The Dark Crystal’ is known by many for being rather frighting for younger viewers, as the film always explores its fantasy world without ever shying away from any of its darker elements. Resulting in many who experienced the film at a young age only recalling it due to being ‘traumatised’ by the film’s menacing antagonists, the ‘Skeksis’. However, despite ‘The Dark Crystal’ giving this ghastly depth to the world it’s narrative takes-place within, the film still suffers from the occasional story cliché. As while I’m sure these ideas were less-familiar in the early 1980s, the concept of: ‘Jen’ being the last of his kind and having to undertake an epic journey does feel fairly overdone by today’s standards.

Stephen Garlick and Lisa Maxwell lend their voices well to the two protagonists of the film: ‘Jen’ and ‘Kira’, alongside the voice of Billie Whitelaw and the late Jim Henson and Frank Oz themselves as puppeteers, and while Jim Henson and Frank Oz both do a fantastic job as usual when it comes to their work with puppeteered-characters. It’s the late Barry Dennen as the most devious of the ‘Skeksis’, ‘The Chamberlain’, who is truly superb. As ‘The Chamberlain’ soon becomes a very memorable antagonist heavily in-part because of his obnoxious high-pitched voice and now-iconic whimper.

Whilst the cinematography by the late Oswald Morris does serve the film’s story effectively, many shots throughout ‘The Dark Crystal’ are a little restricted due to the focus primarily being placed-on the puppets themselves (especially when there is a large number of characters on-screen). That being said, the cinematography does still manage to provide plenty of beautiful wide-shots to establish the story’s various locations, the majority of which are elevated through some incredibly impressive matte paintings and miniature sculptures.

Although I do prefer the original score by Daniel Pemberton for the Netflix prequel series, the score for the original film by Trevor Jones is still terrific. Feeling like a mixture between a classic fantasy score along with some sinister undertones to help build tension. From the film’s signature track: ‘Overture’, through the track that plays-over one of the film’s final moments: ‘The Great Conjunction’, the film’s original score is still an enjoyable piece to hear even if it seems many viewers prefer the soundtrack of Henson’s other 80s fantasy flick: ‘Labyrinth’.

Of course, the main draw of: ‘The Dark Crystal’ is (and will always be) the puppets themselves, as while the idea of not a single human appearing within a live-action film may sound daunting to some, the film’s huge variety of practical effects from the different creatures that prowl the forests/swamps to each one of the detailed and intricate sets for: ‘The Castle of the Crystal’. Every single creative aspect of the film in regards to its designs constantly feels as if great talent and effort has been put-into each of them, with much of the film’s visuals actually being inspired by the illustrations of Brian Froud, who would eventually join the production as a conceptual designer.

To conclude, ‘The Dark Crystal’ is truly a film of its time, as despite the new prequel series helping the unique fantasy series reach a wider-audience, I’m not too surprised this ambitious film has been largely forgotten in modern pop-culture. As the film’s fascinating and fleshed-out world alongside its entertaining story and huge number of amazing practical effects sadly weren’t enough to save it from its eventual neglected fate. Still, an 8/10 for: ‘The Dark Crystal’. Even if this fantastical family adventure didn’t receive the praise it deserved when it was released in 1982, I feel it certainly can now from modern viewers, if just for its painstaking puppeteering work and great character designs alone.

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Tangled (2010) – Film Review

Disney’s first CGI animated fairytale is both incredibly funny and heartwarming. As ‘Tangled’ brings to life the classic fairy princess: ‘Rapunzel’, now updated for a new generation of children. Through some beautiful animation, wonderful original songs and an incredibly vibrant colour palette. ‘Tangled’ feels almost as if it’s an enchanting classic restored from Disney’s golden age of animation, despite its few small problems here and there.

When the kingdom’s most-wanted and most charming bandit: ‘Flynn Rider’ hides-out in a mysterious tower, he’s taken hostage by ‘Rapunzel’, a feisty tower-bound teen with magical golden hair. Eventually leading the two of them to strike a deal so ‘Rapunzel’ can achieve her long-desired dream of seeing the annual release of the kingdom’s lanterns.

Heavily praised since its release, ‘Tangled’ was created by Walt Disney Animation Studios, which have produced a variety of fantastic animated films in recent days. Releasing films such as: ‘Bolt’, ‘Zootropolis’, ‘Wreck-It Ralph’, ‘Moana’ and of course, the mega smash-hit: ‘Frozen’ in 2013. Many of which even beginning to surpass Disney’s other animation company over-time, this obviously being Pixar, who now seem to be far more focused on creating constant sequels, prequels and spin-offs rather than original stories.

Mandy Moore and Zachary Levi bounce extremely well-off each other as ‘Rapunzel’ and ‘Flynn Rider’, with both the characters having plenty of amusing moments in addition to some surprisingly great chemistry (considering they are fully animated). The cast also features Donna Murphy as ‘Mother Gothel’ and Ron Perlman as one of the ‘Stabbington Brothers’ aka the antagonists of the film, and although neither of these two villains ever become quite as memorable or as iconic as some other Disney antagonists. They do serve their roles within the story effectively and are intimidating enough. During the story, ‘Rapunzel’ also receives a character-arc, growing as a character to become more confident and independent as the runtime continues-on, which I feel is not only executed well but also gets across an important message for children.

Featuring an array of stunning wide-shots, the animated cinematography throughout ‘Tangled’ is decent overall. While nothing overly imaginative, the animated cinematography works really well for many of the film’s fast-paced action sequences. The animated cinematography is also improved by the film’s incredibly colourful visuals, as many scenes throughout the film are dripping with bright colours and magnificent lighting. Some of the colouring of character’s clothing even reflect their personalities, as ‘Rapunzel’ wears purple, a colour often associated with royalty and ‘Flynn’ wears blue and white, colours that often stand for goodness. Whereas ‘Mother Gothel’ wears red, a colour that usually symbolizes evil.

The original score by Alan Menken is certainly the weakest element of the film, as ignoring the actual songs within the film, most notably: ‘When Will My Life Begin’ and ‘I See the Light’. The score is mostly generic and little bland at points when it comes to animated flicks, as I feel the soundtrack could’ve been greatly improved if the score would’ve embraced the more fantasy-esque aspects of its narrative. Occasionally, the film can also over-rely on musical cues, as during a number of scenes the film feels the need to accompany every-action or piece of humour with a trumpet cue, which feels nothing but unnecessary throughout.

Being many years-on from the film’s initial release, it’s inevitable that the film’s animation would begin to age. However, although a couple of the close-ups on character’s faces may look a little out-dated. ‘Tangled’s animation predominantly holds-up well since 2010. In particular, the CGI effects on ‘Rapunzel’s long-hair, which still look marvellous even today. The film’s humour is also fairly excellent, as the film has a large amount of range when it comes to its jokes, usually having plenty of humour that will appeal to older viewers as well as young children. ‘Tangled’ also gets some great comedic moments out of its horse character: ‘Maximus’, who quickly ends-up becoming one of the film’s greatest characters through his constant drive to catch ‘Flynn Rider’, with many of his movements being presented as if he is a large dog or even a human.

Although it may not be one of Disney’s best, ‘Tangled’ is still very enjoyable from start-to-finish. Despite its sometimes overly fast-pacing and slightly dated animation. The film has more than enough to please families, with some likeable protagonists, plenty of memorable songs and an overall joyful and adventurous tone. ‘Tangled’ is in my opinion, on the higher-level of fantastical family films, and whilst some may feel the film is aimed more towards one gender with its story being based around a fairy princess, I’d argue otherwise. A low 8/10 in total.

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Unicorn Store (2019) – Film Review

Both starring and directed by Oscar-winner Brie Larson, ‘Unicorn Store’ is a light-hearted comedy/drama which attempts to delve into those childhood dreams many people have, but seems to fall very short in more aspects than one. As aside from a pretty great original score by Alex Greenwald, the film is mostly very bland and forgettable, usually flopping most of the emotional moments and attempts at humour within its fantastical story.

When ‘Kit’ is forced to move back in with her parents after being kicked out of art school, she takes on a boring office job in an attempt to finally grow-up. But when a mysterious stranger sends her an invitation, she is welcomed into a magical store with the promise of owning her own pet unicorn, her greatest desire as a child.

Personally, I do feel this is one of those films where the lack of experience from the director is a big part in what makes it fail overall, as although the writing throughout the film is fairly decent. The film’s visuals as well as the weak performances from the cast, leave the film feeling almost as if it’s presentation doesn’t match with the story itself, and whilst I’m definitely not this film’s main target audience, I don’t even feel young girls could get much out of this less-than-imaginative experience.

Although Brie Larson has given a variety of excellent performances throughout her career, with ‘Room’ and ‘Scott Pilgrim vs. the World’ being the first two that come to mind. Her performance is extremely mixed throughout ‘Unicorn Store’, as in some scenes she fairly decent, whilst in others, she is quite bland. This could also be due to her character however, as ‘Kit’ is very irritating throughout the majority of the film. Portraying the character as childish and loud in all the wrong ways, the supporting cast of Mamoudou Athie, Samuel L. Jackson, Bradley Whitford and Joan Cusack are also pretty decent however, yet do have their weak moments similar to Brie Larson.

Aside from the bright colour palette which does somewhat help to improve the film’s visuals despite not being as overly colourful as I initially expected. The overall cinematography by Brett Pawlak is mostly very dull, as the film is overflowing with a variety of boring shots, all displayed through soft hand-held camera techniques, which I actually found quite distracting throughout. This is also the case when it comes to the lighting, as aside from one visually pleasing scene with the unicorn itself nearing the end of the runtime, every scene is usually very white and pale (which is essentially the complete opposite of the story’s themes).

Alex Greenwald handles the original score for the film as already mentioned, and although not an incredible soundtrack by any means, the score is probably the best element of the film for me. As the original score succeeds where the film’s visuals fail, as the soundtrack embraces the more magical childlike tone of the film, utilizing what almost sounds like wind chimes and harps to fit effectively alongside the film’s narrative.

Despite the story not quite reaching the heights it could in terms of humour and emotion, I do really like many of the film’s ideas. As the film’s themes of letting go of your childhood and growing-up are interesting, and have been explored well before in a variety of Pixar and DreamWorks animated classics. However, ‘Unicorn Store’ seems to not place much emphasis on these ideas aside from a few lines of dialogue from ‘Kit’ herself. Initially, ‘Unicorn Store’ was supposed to be directed by Miguel Arteta, best known for his romantic drama: ‘The Good Girl’ from 2002, and although I don’t think this director would’ve done an exceptional job with the film. I do feel he could’ve explored these themes better, and possibly even made the film more engaging when it comes to its characters, as this was always one of the stronger aspects of his previous works.

In the end, ‘Unicorn Store’ was pretty much what I expected it to be, whilst I could be a little biased due to my distaste of Brie Larson (mostly as a person rather than as an actress). The film simply isn’t that entertaining throughout, with its bland cinematography and lighting, in addition to some of its irritating characters and mediocre story. ‘Unicorn Store’ just isn’t worth it’s time when there’s plenty of other fantastic films currently available to watch on Netflix. Overall, a low 4/10 for this one.

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This Year in Film (2019) – Film List

Personally, I feel this year in film has been a bit of a mixed-bag, as while I do feel we’ve had our fair share of great films this year, I also feel we’ve had plenty of disappointing entries as well. Obviously, I haven’t had the chance to see every film this year, and I will most likely update this list as time goes on. But for now, in no particular order, here are my thoughts on a variety of films I saw this year.

Joker

Without a doubt one of my favourite films of the year: ‘Joker’ directed by Todd Philips (The Hangover, Old School, War Dogs) is an interesting take on the comic book genre. Focusing more on being an engaging character piece with themes of untreated metal illness rather than your usual barrage of CGI action and explosions, all shown through some beautiful cinematography and an eerie original score.

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Knives Out

Director Rian Johnson proves himself a brilliant filmmaker once again after his smash-hit: ‘Looper’, as although I personally wasn’t an enormous fan of: ‘Star Wars: The Last Jedi’. I knew this director had talent elsewhere, and this was proven to me by ‘Knives Out’. A hilarious and clever twist on the classic murder mystery, with some great performances from the huge cast, plenty of plot twists and a well-written narrative. I feel you’d struggle not to enjoy ‘Knives Out’.

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In the Tall Grass

One of many Steven King adaptations from this year, ‘In the Tall Grass’ comes to us from ‘Cube’ director Vincenzo Natali, and with that sci-fi classic being a personal favourite of mine, I had high-hopes for this Netflix thriller despite its somewhat weak source material. However, as the runtime continued-on, I soon realised the film was far more interested in attempting to explain its bizarre and messy plot rather than experiment with any of its unique ideas.

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Marriage Story

Standing out mostly for the fantastic performances from the all-star cast of Adam Driver and Scarlett Johansson, director Noah Baumbach takes on this wonderful story of a couple broken apart by relationship troubles and long distances, which, despite not being anything outstanding in regards to filmmaking, still manages to be entertaining, emotional and very enjoyable from start-to-finish.

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The Silence

Easily one of the worst films I’ve seen this year, ‘The Silence’ directed by John R. Leonetti, mostly known for the awful: ‘Annabelle’ and ‘Wish Upon’. Is another generic horror with weak performances, dreadful CGI effects and a plot which feels as if it’s been ripped straight from: ‘A Quiet Place’ released back in 2018.

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Haunt

Although the plot of a group of teens heading into a haunted house on Halloween only to get more than they bargained for may initially sound incredibly over-done, ‘Haunt’ is actually one of the hidden gems of the year in my opinion. Utilizing some visually impressive sets and lighting in addition to an array of tense moments and creative ideas, the film is certainly one of the better horrors/thrillers from this year despite its issues.

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Le Mans ’66 (Ford v Ferrari)

After directing one of my favourite films of 2017: ‘Logan’, director James Mangold now takes on the real-life story of the creation of one of the fastest race cars ever built in order to win the iconic: ‘Le Mans ’66’. Featuring some excellent performances from the main cast in addition to some great cinematography and high-fueled racing scenes, ‘Le Mans ’66’ is a true thrill-ride of a film.

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Toy Story 4

‘Toy Story 4’ is definitely one of the most disappointing films of the year for me, as the original ‘Toy Story’ trilogy is (in my opinion) near perfect, and this film seems to do nothing but continue the story for the sake of it. As although the animation is incredible throughout the film, and the performances and original score are also pretty great, the narrative and character-arcs simply let the film down and make it the weakest of the ‘Toy Story’ series for me.

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I Am Mother

This slick science fiction thriller had me excited for quite some-time leading up to its release. However, when I eventually watched: ‘I Am Mother’ I found myself a little disappointed. As the beautiful visuals and solid sci-fi soundtrack are sadly let down by a drawn-out and sometimes bland story. As while not boring by any means, I felt the film was a bit of wasted potential overall.

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It: Chapter 2

Director Andy Muschietti returns to once again bring the demonic clown: ‘Pennywise’ to life in this sequel to the ‘It’ remake from 2017. This time around however, I personally found the film to be a bit of a letdown. As although there were plenty of entertaining scenes and great character moments throughout the film’s extremely long runtime, there were also plenty of ridiculous moments alongside the barrage of enormous CGI monsters.

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Crawl

Going off the initial reviews, I originally had high hopes for: ‘Crawl’, hoping it would be an extremely tense, edge of your seat kind of experience. But unfortunately, the film felt like a mostly standard thriller by the end of its runtime. Having nothing more than a few tense scenes and a couple of effective jump-scares to make up for its mediocre CGI effects and mostly dull characters.

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Yesterday

Whilst definitely not on the same level as many of the others films from director Danny Boyle’s catalogue, ‘Yesterday’ was still a pretty entertaining feel-good comedy which I felt had an enjoyable upbeat tone, and enough likeable characters to carry it through many of its cheesy moments and sometimes overly predictable story.

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The Platform

Definitely a futuristic thriller fans of: ‘The Belko Experiment’ should check out, ‘The Platform’ is just as violent as it is suspenseful, as this Spanish sci-fi thriller deals with a variety of dark themes and ideas, all whilst keeping the viewer engaged through its interesting plot, decent performances and surprising turns.

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Aladdin

This year’s first entry from the usual barrage of pointless live-action Disney remakes: ‘Aladdin’ is exactly what I expected it to be. The classic story most know and love but incredibly dulled-down, trying to capture the adventure of the original film through an enormous amount of CGI visuals, nostalgia and a new cast lead by Will Smith which are all rather bland.

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The Hustle

Although I may not have been the target audience for: ‘The Hustle’, judging by the dreadful reviews from critics and audiences alike, it seems as if I wasn’t alone in finding this comedy just as bland as it was unfunny, with many of the jokes feeling extremely lazy as the film takes all the obvious hits anyone would expect at Anne Hathaway and Rebel Wilson without attempting much else in terms of humour.

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Velvet Buzzsaw

Despite ‘Velvet Buzzsaw’ not quite being the hilarious, gory and extremely weird horror/comedy I was initially hoping for, in addition to going off the back of director Dan Gilroy’s other film: ‘Nightcrawler’ (which is one of my all-time favourites). I still found the film interesting enough throughout its story to keep me watching, despite it not being overly memorable in its entirety.

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Avengers: Endgame

Marvel finally bring their enormous franchise of superhero flicks to an end (for now that is) with ‘Avengers: Endgame’, a blockbuster spectacular which gives many viewers the conclusion they’ve been desiring for many years, and although it isn’t one of my personal favourite Marvel films, I enjoyed: ‘Avengers Endgame’ for what it was. As the film provides some endings for characters alongside plenty of comedic moments, fan service and thrilling action set-pieces.

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Dolemite Is My Name

Based on the real-life story of Rudy Ray Moore, Eddie Murphy makes his awaited return to film after a long break. As this brilliant comedy/drama makes all the right moves to keep its audience engaged within its story through plenty of humour, style and emotion throughout its runtime.

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Jumanji: The Next Level

A sequel to ‘Jumanji: Welcome to the Jungle’ from 2017, as well as the original: ‘Jumanji’ from 1995. ‘Jumanji: The Next Level’ is very similar to the previous instalment in regards to its tone and story (with some elements mixed-up of course) and despite some humour and story moments going a little too over-the-top for my taste. The film is still enjoyable enough for those seeking another fun family adventure from this franchise.

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Godzilla: King of the Monsters

Unable to actually decide what I thought of the film initially, ‘Godzilla: King of the Monsters’ is a true mixed-bag of a blockbuster, having some fantastic monster action with flawless CGI effects and a surprisingly ranged colour palette be completely bogged down by weak characters, cheesy moments and at points, a very messy story.

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Once Upon a Time… in Hollywood

Director Quentin Tarantino returns to the silver screen once again with ‘Once Upon a Time… in Hollywood’. Bringing us a slight subversion of some of his usual film tropes, to focus more on a story of a man seeking his return to fame in Hollywood, all shown through some beautiful cinematography and an excellent 1960s soundtrack.

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Terminator: Dark Fate

Of all the franchises dragging themselves out in an attempt to drawn-in whatever loose profits still remain, ‘Terminator’ has been by far the worst, with ‘Terminator: Dark Fate’ only further proving this. Being extremely bland and cliché throughout, this time-travelling sci-fi series truly feels as if it’s got nothing more to offer, even with a talented director at the helm and James Cameron back on-board as a producer, this franchise is now really just a shadow of its former-self.

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John Wick: Chapter 3 – Parabellum

In another one of this year’s biggest disappointments, ‘John Wick: Chapter 3 – Parabellum’ is the third entry in the ‘John Wick’ series, which sadly, leaves a lot to be desired. As many of the trilling and well-executed action scenes are dragged down by a messy and uninteresting story, as well as a variety of extremely out-of-place comedic moments.

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Star Wars – Episode IX: The Rise of Skywalker

Arguably the most disappointing film of the year for many, ‘Star Wars: The Rise of Skywalker’ attempted to close the enormous legacy of the ‘Star Wars’ saga, which unfortunately failed quite miserably. As overly fast-pacing and an extremely messy (and unsatisfying) narrative really dragged the film down despite its fun moments and exciting action scenes, further proving that this franchise needs a long-rest before it’s inevitable return.

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Spider-Man: Far From Home

Most likely my favourite Marvel film of this year, ‘Spider-Man: Far From Home’ hardly breaks new ground when it comes to superhero flicks. But the main cast’s great performances mixed with plenty of exciting action and a surprisingly interesting antagonist, leave ‘Spider-Man: Far From Home’ an enjoyable and mostly faithful comic book adventure for the iconic web-head.

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The Lion King

The second of this year’s live-action Disney remakes: ‘The Lion King’ directed by Jon Favreau, is definitely one of the worst in my opinion, as although the film’s CGI visuals are nearly flawless, the film simply lacks any of the charm, heart and overall personality of the original film. Resulting in the remake being nothing more than an overall boring experience.

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Little Monsters

Although the film is help-up by some strong performances and some interesting ideas, ‘Little Monsters’ never manages to break the structure of your usual zombie film. Coming off as an occasionally fun yet mostly bland horror/comedy, which is just as predictable as it is dull, despite many of its decent comedic moments.

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Serenity

Whilst I personally didn’t dislike ‘Serenity’ as much as many others, the film still suffers from a variety of issues. As director Steven Knight attempted to achieve something very different with this film, which at some points works quite well, and at others doesn’t work at all. As many of the unusual performances and can really drag down the film’s great cinematography and editing.

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Fractured

Overly predictable and formulaic, ‘Fractured’ focuses on the potentially compelling narrative of a father’s family mysteriously disappearing within the walls of a hospital, yet despite its few effective scenes, ‘Fractured’ soon ends-up feeling like a path nearly every-viewer has been down before. Resulting in the film becoming just another forgettable Netflix Original.

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The Lighthouse

Despite my dislike of director Robert Egger’s other film: ‘The Witch’ from back in 2016, ‘The Lighthouse’ had me gripped to the screen throughout its runtime. As the film’s black and white colour palette along with it’s eerie original score and intriguing story, leave the ‘The Lighthouse’ a film that’s just an interesting to discuss as it is to watch.

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Parasite

I went to experience Korean director Bong Joon Ho’s ‘Parasite’ mostly due to its outstanding reviews rather than due to its trailers (which I personally found quite poor). But yet, with some absolutely gorgeous cinematography and brilliant performances, ‘Parasite’ is now definitely up-there with some of my personal favourite foreign flicks such as: ‘Oldboy’, ‘Veronica’ and ‘The Host’, in addition to possibly being my favourite release of this year.

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Captain Marvel

One of the blandest Marvel films I’ve seen for a while, ‘Captain Marvel’ focuses far too much on pushing on themes of strong female empowerment that it forgets to actually create a likeable protagonist or an interesting origin story, making the film overall feel simply forgettable more than anything else.

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Zombieland: Double Tap

Surprisingly, Zombieland: Double Tap’ was more enjoyable than I was initially expecting. As while far from as memorable or as enjoyable as the original for me, there were more than a few moments of humour between the cast that had me laughing, despite the film’s tone going even more over-the-top than before.

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The Irishman

Iconic director Martin Scorsese (Taxi Driver, Goodfellas, The Wolf of Wall Street) returns to bring us another tale of crime and regret with ‘The Irishman’, and while the over three-hour-long runtime can definitely make the film drag at points, the brilliant performances and phenomenal filmmaking are sure to keep those paying attention engaged for the majority of the film’s runtime.

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Us

Director Jordan Peele’s follow-up to his 2017 smash-hit: ‘Get Out’, was a far cry from excellent for me. As despite the brilliant reviews, I personally found the film’s story to be bloated with rushed ideas and ridiculous scenes, all adding up to a horror flick that placed more focus it’s themes than it’s narrative. Resulting in a film which was just as inconsistent with its tone as it was with its story.

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Hellboy

The latest superhero to get his own remake is the iconic: ‘Hellboy’, with the remake this time falling far, far from the mark. As a ridiculously messy story mixed-with poor CGI effects and dreadful comedic moments, leave the film pleasing no-one, despite David Harbour’s decent performance as the horned anti-hero.

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1917

Made to appear as if it was filmed entirely within one shot, ‘1917’ is a brutal, gripping and engaging story involving two soldiers who set-off in a race against time to save thousands of men from a doomed battle, and while not flawless, the film is definitely impressive for both it’s narrative and filmmaking.

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Fighting with My Family

Directed by actor and comedian Stephen Merchant, ‘Fighting with My Family’ is a light-hearted British comedy-drama based on the true story of WWE wrestler: ‘Paige’ portrayed extremely-well throughout the film by Florence Pugh, and despite a few cringy scenes, ‘Fighting with My Famly’ was a huge surprise for me. As a very investing story and some brilliant moments of humour leave the film a genuinely enjoyable experience that seemingly went under most people’s radars upon its intial release.

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Jojo Rabbit

Heartfelt, emotional and brimming with comedic charm, ‘Jojo Rabbit’ is another one of my favourites from this year. Being a completely different take on the war genre by giving the audience a new view of the events of the Second World War through the eyes of a child. All under the excellent direction of Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople, Thor: Ragnarok).

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Missing Link

From Lakia animation studio, the production company that brought to life many of my favourite stop-motion animated films, such as: ‘Coraline’ and ‘Kubo and the Two Strings’ comes another fun family adventure. Shame this one couldn’t have done better at the box office, as the film is wonderfully put together, featuring plenty of humorous moments alongside the great voice acting and beautiful animation.

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Ready or Not

One of the most surprising films of the year for me, ‘Ready or Not’ may have your usual cliché plot for a modern-horror, but somehow the film manages to carry it through. Managing to be extremely funny, gory and fun throughout nearly the entirety of its runtime.

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Doctor Sleep

The long-awaited sequel to Stanley Kubrick’s classic: ‘The Shining’, ‘Doctor Sleep’ attempts to continue the story of the ‘Overlook Hotel’, and does so with mixed results. As although the film does pay plenty of the respect to the original film, I couldn’t help but feel the film doesn’t stand on its own very well, having a mostly predictable story with some pretty bland characters within its nearly three-hour runtime.

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Child’s Play

From the producers of the ‘It’ remake from 2017, this reimaging of the horror classic: ‘Child’s Play’ does have some great elements, such as: some hilarious scenes of dark comedy, gory and creative death scenes and even a pretty memorable voice performance by Mark Hamill as the iconic killer doll: ‘Chucky’, and yet, the film never quite manages to escape its remake roots and goofy original idea, usually feeling more unnecessary than anything else.

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Wounds

Regardless of its atrocious reviews from both critics and audiences, I actually quite enjoyed: ‘Wounds’. As although this psychological horror may have some bland cinematography and an overreliance on jump-scares at points, the film’s weirdly unique narrative and main performance by Armie Hammer simply won me over by its end, despite the film being nothing that memorable in the long-run.

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Pet Sematary

In this new remake of Steven King’s classic novel, Jason Clarke and Amy Seimetz portray: ‘Louis’ and ‘Rachel Creed’ a couple who move to rural Maine only to soon discover a mysterious burial ground hidden within the woods near their new home, and aside from the dark and interesting plot the film provides. ‘Pet Sematary’ is nothing more than a bland jump-scare fest with little focus on building character or atmosphere.

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I Lost My Body

This unique animated French film co-written by the writer of the beloved: ‘Amélie’, is very charming and beautifully crafted throughout the entirety of its tight runtime, with a variety of stunning shots and plenty of creative ideas, ‘I Lost My Body’ is certainly worth a watch despite being overshadowed by many other films released this year.

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Uncut Gems

After many poor attempts at comedies in recent days, Adam Sandler gives one of his best performances in years with ‘Uncut Gems’, portraying a shady jeweller who’s actions and consequences carry the film brilliantly from start-to-finish, despite the film’s shaky cinematography and bizarre original score being a little distracting at points.

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Midsommar

Although I quite enjoyed: ‘Hereditary’, director Ari Aster’s other film from 2017, ‘Midsommar’ was most certainly not for me. Feeling far too pretentious at points with a slow-paced narrative and weak characters, the film’s unique ideas and attractive visuals simply couldn’t save from becoming the boring experience it eventually ended-up being for me, with the exception of another excellent performance by Florence Pugh from this year.

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Unicorn Store

Led by a mediocre and sometimes irritating performance by Brie Larson, ‘Unicorn Store’ attempts to be a fun, colourful and heartwarming tale of a grown woman letting go of her childhood. Yet unfortunately, the film falls far off the mark for most of these goals, as ‘Unicorn Store’ is more dull and forgettable than the whimsical tale it set-out to be.

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Scary Stories to Tell in the Dark

Whilst I definitely would’ve prefered an anthology-type structure when it comes to an adaptation of the ‘Scary Stories to Tell in the Dark’ children’s book series, this horror film for a younger audience certainly has its fair share of flaws. As although not awful by any means, the film is simply just a very mixed-bag overall.

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The Kid Who Would Be King

A decent fantasy adventure for families, ‘The Kid Who Would Be King’ directed by Joe Cornish (Attack the Block) definitely has some areas in need of improvement. As the film is brimming with cheesy moments and a very out-of-place original score. Despite this however, the film still manages to utilize its fun story and exciting action scenes to the best of its advantage, resulting in an entertaining if not perfect family flick.

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The Christmas Chronicles (2018) – Film Review

From director Clay Kaytis (The Angry Birds Movie) and producer Chris Columbus (Home Alone, Mrs. Doubtfire, Harry Potter and the Sorcerer’s Stone) comes another Christmas family adventure with ‘The Christmas Chronicles’, and while the film may be nowhere near as memorable as many other festive classics. I can still see the film being a mostly entertaining ride for families and younger viewers alike.

When brother and sister: ‘Teddy’ and ‘Kate Pierce’, are left alone on Christmas Eve, they devise a plan to catch ‘Santa Claus’ on camera, which soon turns into an unexpected journey that most children could only dream of. As they manage to hop aboard ‘Santa’s sleigh and join him on his task of delivering presents all over the world.

Although the two films do differ from each other in many ways, I couldn’t help but notice the similarities between this film and ‘The Santa Clause’ from 1994. As both Christmas flicks focus on characters going on a magical adventure with ‘Santa Clause’, with them usually having strong themes of family and belief throughout. However, ‘The Christmas Chronicles’ also does seem to focus more on exciting action set-pieces.

Whilst Judah Lewis and Darby Camp portray the siblings decently well throughout the film (aside from the occasional line of dialogue) Kurt Russell is without a doubt the stand-out of the cast, as he brings his usual charisma and talent to create a fresh and memorable portrayal of Saint Nick himself. This is dragged down by the film’s characterisation however, as both of the siblings are pretty bland and dull from start-to-finish.

The cinematography by Don Burgess is also mostly generic throughout the film, usually serving its purpose without drawing the audience’s attention away from the action on-screen. Speaking of which, the action scenes throughout the film are handled surprisingly well. From the fast car chase through the streets of Chicago, to ‘Santa’s sleigh soaring through the night sky. The weak CGI throughout the film can detract from some these scenes however, with ‘Santa’s elves in particular having some very distracting visual effects at points.

The original score by Christophe Beck is decent overall, as while not incredibly memorable, and many could see it as slightly weaker when compared to many of his other soundtracks such as: ‘The Muppets’, ‘Frozen’ or ‘Ant-Man’, the score does have a festive and pretty up-beat tone throughout the film’s runtime. ‘The ChristmasChronicless’ even gives us a new spin on the classic song: ‘Santa Clause is Coming to Town’, as ‘Santa’ shows off some of his style as he sings: ‘Santa Claus is Back in Town’ in an attempt to add some cheer to those around him.

My main issue with the film is the film’s overall cheesiness, as although the film does avoid the occasional Christmas film cliché. The film is still brimming with cheesy lines and scenes throughout the film’s narrative. However, I found this to be a problem mostly around ‘Santa’s elves, as not only did these characters have an awful new redesign, but they seemed to be purely used for the sake of being cute. I also couldn’t help but think the film could’ve been improved if directed by Chris Columbus, as although director Clay Kaytis doesn’t do a terrible job by any means, I feel the director of: ‘Home Alone’ (a true classic for many) could’ve definitely made the film better for what it was.

Overall, ‘The Christmas Chronicles’ is a mostly fun adventure for a film night on Christmas Eve, as while the story isn’t anything we haven’t seen before. Kurt Russell’s memorable performance mixed with some entertaining action scenes and a very festive atmosphere all result in the film being a decent watch, as well as a low 7/10 all together. Check this one out if you’re in the need for a festive fantasy adventure one year.

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Clash of the Titans (2010) – Film Review

In this modern remake of the 1981 classic, ‘Perseus’ takes on a variety of gods and monsters in this somewhat fun, yet still very generic and sometimes even over-the-top recreation of the original story. As this time around, director Louis Leterrier (The Transporter, The Incredible Hulk, Now You See Me) focuses more on action set-pieces and enormous CGI spectacle than ever before.

When ‘Perseus’ the demi-god son of: ‘Zeus’ finds himself caught in the middle of a war between gods and mortals, in which his mortal family are killed. He gathers a war band to help him conquer the mighty ‘Kraken’, ‘Medusa’ and ‘Hades’, god of the underworld.

Going off the negative reviews from both critics and audiences, I wasn’t expecting much from ‘Clash of the Titans’ on my initial watch. However, I was surprised to find the film is mostly entertaining, as although there isn’t much substance to this remake, I still find it to be a somewhat exciting action flick, having plenty of creatures and adventure throughout its runtime despite its various flaws. This may also be due to my fondness for Greek mythology however, as I’ve had an interest in this element of fantasy/history since I was young.

Although there aren’t any particular stand-outs when it comes to the cast, Gemma Arterton, Liam Neeson, Ralph Fiennes, Mads Mikkelsen and Jason Flemyng all do a decent job throughout the film. However, Sam Worthington who portrays the protagonist: ‘Perseus’ I personally found to be one of the weakest elements of the film, as despite him having a number of large roles in huge blockbusters such as: ‘Avatar’, ‘Terminator: Salvation’ and ‘Hacksaw Ridge’ in the past, he has always seemed extremely bland to me, never really coming off as anything other than a generic action hero with little charisma, and ‘Clash of the Titans’ is unfortunately, no exception to this. 

The cinematography by Peter Menzies Jr. is also quite bland, as although I do appreciate the lack of incredibly shaky hand-held shots during many of the action scenes. Many of the shots throughout the film are usually very standard, as the cinematography never really attempts to enhance the visuals or make use of the story’s impressive and unique locations (aside from the occasional wide shot).

One very bizarre element of the film is definitely the original score by Ramin Djawadi, as although some tracks sound perfect for a fantasy epic such as this one. Other tracks almost sound as if they’ve been performed by a rock band, making them feel incredibly out-of-place within the film’s time-period. The soundtrack actually does work quite well in my personal favourite scene of the film however, as the scene set within ‘Medusa’s lair uses the score to build tension and atmosphere surprisingly well.

The CGI effects throughout ‘Clash of the Titans’ are definitely one of the film’s better aspects, as regardless of whether it’s being used for creatures, gods or locations, the visual effects always look great. However, this is also partially due to the designs of many of the creatures within the film, as the designs manage to perfectly blend the appearance of modern-day monsters mixed with classic Greek mythology. This also lends itself effectively to many of the various action scenes throughout the film (this obviously being the film’s main draw) as the action throughout the narrative is mostly pretty solid, making great use of the various different creatures abilities and always placing ‘Perseus’ in different dangerous scenarios.

Overall, I found ‘Clash of the Titans’ decently entertaining for what it was, which is essentially is nothing more than your usual action blockbuster with some Greek mythology thrown-in for good measure. As while the film is successful for what it sets out to do, the film does fall flat in many other areas, from Sam Worthington’s dull performance, to some of the weak writing and occasionally unusual original score, I feel only people truly interested in Greek mythology could get something out of this one. But with all that in mind, ‘Clash of the Titans’ still isn’t the worst remake I’ve ever seen, and is most likely a low 5/10.

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Ready Player One (2018) – Film Review

A triumphant return back to the silver screen for iconic director Steven Spielberg (Jurassic Park, Schindler’s List, Raiders of the Lost Ark) this time taking-on an adaptation of the science fiction novel: ‘Ready Player One’ by Ernest Cline. The film manages to capture that classic Spielberg atmosphere, alongside some fun visuals and action scenes. As well as many, many appearances and references from/to beloved characters and properties from all types of media, the film overall building-up to being a mostly entertaining family adventure.

When the original creator of a virtual reality world called the: ‘OASIS’ dies, he makes a posthumous challenge to all ‘OASIS’ users to find his golden easter egg, which will give the lucky finder his entire fortune as well as complete control of his virtual world.

As the film is set half within the real world and half set within virtual reality, I was initially concerned that I would get dragged out of the film due to an overuse of CGI visuals. However, the film proved me wrong here, creating computer-generated characters that could emote nearly as much as the actors portraying them. As the CGI and the over-the-top character designs create an intentional clear difference between the two realities through its visuals, ensuring the audience doesn’t become confused (which is actually played with later-on in the film’s narrative).

Mostly known as: ‘Cyclops’ in the new incarnation of the ‘X-Men’ series, Tye Sheridan does a decent job at portraying the likeable protagonist: ‘Wade Watts’. Alongside Olivia Cooke as his love interest: ‘Samantha’ as well as Simon Pegg as: ‘Ogden Morrow’ with Ben Mendelsohn and T.J. Miller as the antagonists, and whilst every member of the cast doing pretty decent job considering their extremely weak characters (as every character we meet throughout the runtime is mostly one-note, being nothing more than your traditional hero or villain etc). Each one of the characters does still serve their purpose within the film’s story.

Although an enormous amount of the cinematography by Janusz Kaminski is very impressive, having a large number of moving shots soaring through the breathtaking world of the ‘OASIS’, It’s difficult to judge it in its entirety. As the majority of the camera work is obviously CGI, due to a large amount of the film’s story being set within the computer-generated world, as when we cut back to ‘Wade’s true reality, the cinematography is mostly quite bland. I do appreciate the dark colour palette however for when the film takes places in the real world, as it contrasts extremely well with the incredibly colourful visuals of the ‘Oasis’.

Despite the original score by Alan Silvestri not being one of his best, as the soundtrack isn’t nowhere near as memorable as: ‘Forrest Gump’, ‘Predator’ or ‘Back to the Future’ (which there is actually a little audio throwback to) the score is still decently effective, and does sound subtlety like a Steven Spielberg classic.

The main element I take issue with throughout the film is some of the weak writing throughout, as although not awful, in addition to the weak characters. The film is also full of cheesy moments and clichés. Many have also taken issue with the enormous amount of characters from other media thrown into the film, with most seeing it as pandering and meaningless. However, I personally don’t agree with this, as this aspect is also in the original novel and adds to the idea that truly anything is possible within the virtual world. Personally, I feel these flaws are definitely most made-up for by the brilliant action throughout the film, as every action set piece from the opening race scene through to the ending battle is all pretty creative, and very enjoyable to watch.

‘Ready Player One’ definitely has its faults, but I’d say the film is still a decent addition to Steven Spielberg’s line-up of family flicks, as while not on the level of: ‘E.T. the Extra-Terrestrial’ or ‘Hook’ for example, I did find the film mostly enjoyable from start-to-finish. As aside from some weak characterisation and some cheesy scenes, I’d recommend a trip into the ‘OASIS’ for this exciting sci-fi/fantasy odyssey. In conclusion, a decent 7/10.

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Beautiful Shots in Film – Film List

There are many beautiful shots in film, combing amazing cinematography, with an attractive colour palette and some excellent lighting. Many shots can become truly iconic on themselves, even telling the story of a specific character or location purely through the visual itself. Here are a few of my personal favourites…

Blade Runner 2049 (2017)

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The Matrix (1999)

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Pulp Fiction (1994)

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Raiders of the Lost Ark (1981)

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Psycho (1960)

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The Revenant (2016)

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Kill Bill Vol. 1 (2003)

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Guardians of the Galaxy (2014)

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Don’t Breathe (2016)

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American Beauty (1999)

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2001: A Space Odyssey (1968)

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Annihilation (2018)

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Scream (1996)

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Interstellar (2014)

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The Shape of Water (2017)

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Jaws (1975)

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American Psycho (2000)

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E.T. the Extra-Terrestrial (1982)

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The Road (2009)

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Life of Pi (2012)

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Fight Club (1999)

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The Shining (1980)

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Scott Pilgrim vs. the World (2010)

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Lord of the Rings: The Fellowship of the Ring (2001)

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Birdman or (The Unexpected Virtue of Ignorance) (2014)

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Rise of the Guardians (2012) – Film Review

Truly a very underrated DreamWorks flick in my opinion, ‘Rise of the Guardians’ is a very comedic and action-packed animated adventure. Feeling almost like an: ‘Avengers’ blockbuster aimed towards a younger audience at points, filled with plenty of heart, emotion and a wonderful original score by Alexandre Desplat, the film is a genuine hidden animated gem in my opinion.

When the evil spirit: ‘Pitch’ launches a dark assault on Earth, the ‘Immortal Guardians’ of various different holidays and imagination team up to protect the innocence of children all around the world.

Combing legends and iconic figures such as: ‘Jack Frost’, ‘Santa Clause’, ‘The Easter Bunny’, ‘The Tooth Fairy’ and ‘The Sandman’ alongside the sinister antagonist: ‘Pitch’. The film takes a lot of inspiration from the children’s book series: ‘The Guardians of Childhood’ by William Joyce. As the film has a lot of fun with its plot, playing into the over-the-top ideas of its story resulting in many interesting/unique locations and plenty of little jokes between the characters.

The entire cast of Chris Pine, Alec Baldwin, Hugh Jackman and Isla Fisher, are all fantastic as their various characters. Each giving their character a likeable and amusing but not overly irritating personality, I particularly enjoyed Hugh Jackman and Alec Baldwin as: ‘The Easter Bunny’ and ‘Santa Clause’, as I feel these characters were definitely given many of the best jokes and moments throughout the film’s runtime, with the actors behind their voices clearly having a lot of fun of portraying them.

Throughout the film, the animated cinematography is fairly decent, as while by no means anything exceptional. The film does make use of many different moving shots, usually having the camera tracking or spinning around the characters/locations to make the film feel like a true spectacle. The original score by Alexandre Desplat is easily one of my favourite elements of the film however, as while this composer has worked on many other brilliant soundtracks in his past, such as: ‘The Imitation Game’, ‘Harry Potter and the Deathly Hallows’ (Part I and II) and ‘The Shape of Water’ just to name a few. I feel this has to be one of his most underrated scores similar to the film itself, as the tone captures all the elements of wonder, amazement and excitement perfectly.

The animation within the film is stunning throughout, everything from the hairs on-top of the character’s heads, to the many sand effects for: ‘Sandman’s abilities, alongside ‘Jack Frost’s snow/ice effects all look phenomenal. The film is always very beautiful to look at and has a very diverse colour palette, ranging from light blues, to pale greens and dark blacks, making every shot look very appealing and always different from the last.

My main issues with the film mostly revolves around its cheesiness, as while the film isn’t only aimed at children and does manage to reach an adult audience most of the time. The film never quite catches the older audience like a Pixar film would for example. There is also a small group of child characters in the film who play a role in the narrative helping the guardians, unfortunately I found these characters quite irritating, as I felt the film played into their ‘childlike nature’ a little too much, luckily though these characters don’t get too much screen-time.

Rise of the Guardians’ is one of those great family films that can entertain most children and a fair few adults, while by no means is it one of the best-animated films. It’s certainly up there with some of DreamWorks’ other classics such as: ‘Shrek’, ‘Kung Fu Panda’, ‘Megamind’ and ‘How to Train Your Dragon’ for me. As although the film may not be winning an Oscar for best-animated film anytime soon, I still feel it’s still a great watch around Christmas, Easter, or maybe even just your standard family weekend. Overall, a decent 7/10.

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