Frenetic to a fault, 2019’s ‘Guns Akimbo’ relishes in its video-game-like violence, utilising its fluid editing, fast-pacing and wild visuals to construct a thrilling action-comedy inspired by riveting 1980s blockbusters like ‘The Terminator’ and ‘The Running Man.’ Yet with all this insanity, it’s inevitable that ‘Guns Akimbo’ will alienate some viewers, especially those hoping for plenty of engrossing commentary concerning televised violence and online culture, but for many others, the film’s super-charged, energetic action sequences along with Daniel Radcliffe’s committed performance will surely hit the spot as an explosive jaunt.
Plot Summary: When ‘Miles Lee Harris,’ a spineless video-game programmer, awakens one morning to discover that his hands have been bloodily bolted to a pair of pistols, ‘Miles’ is forced to use the fused-firearms to his advantage to save his ex-girlfriend from a group of kidnappers working for a criminal organisation named: ‘Skizm,’ which pits maniacal criminals against each other in live-streamed deathmatches…
Written and directed by Jason Lei Howden (Deathgasm), ‘Guns Akimbo’ is, in many ways, trying to be a satire of the digital age we currently live in, displaying how apps like Instagram and YouTube have made us cynical, and in some instances, even dehumanised us. The problem here being that the film soon becomes exactly what it’s satirising, constantly mocking the online community of: ‘Skizm’ for watching the grisly livestreams even though the film itself is taking just as much pleasure in displaying them to its audience, but considering ‘Guns Akimbo’ is primarily an action flick over anything else, I feel this muddled message is far from the film’s central focus. An issue the film does actually suffer from, however, is its screenplay, as by the time it’s third act arrives, the film is clearly beginning to run out of steam, devolving into essentially just non-stop action with little charm when compared to the first half of the film.
By far one of the film’s best aspects, Daniel Radcliffe’s performance as asthmatic protagonist: ‘Miles Lee Harris’ is both hilarious and manic, as ‘Miles’ is forced to leave his boring life as a programmer for a company whose games are designed to exploit children for micro-transactions, to undertake a whole new identity after unwillingly entering: ‘Skizm’ and their city-wide game of death. And whilst ‘Miles’ continuous moments of cowardice and constant wheedling over his ex-girlfriend could’ve been annoying if they were over-played, Radcliffe portrays the character in such a way where it’s easy for the audience to root for him similar to how ‘Skizm’s online audience do. On the flip side of this matchup there is ‘Nix,’ a cocaine-fuelled killer who relishes in profane one-liners and is brilliantly portrayed by Samara Weaving, being the current reigning champion of: ‘Skizm,’ ‘Nix’ serves her purpose as a baleful adversary to ‘Miles’ in addition to having a surprisingly dramatic backstory.
An utterly merciless blend of: ‘Crank,’ ‘Shoot ‘Em Up’ and ‘Scott Pilgrim vs. The World,’ the cinematography throughout ‘Guns Akimbo’ never fails to be visually dynamic, as cinematographer Stefan Ciupek aims to make the camera feel completely unrestricted, having it flow freely through a variety of techniques including making superb use of body-rigs and car-mounts alike, which does help to redeem some of the uninspired firefight choreography. Moreover, as ‘Guns Akimbo’ frequently has the appeal of a vibrant graphic novel, the on-screen graphics and highly saturated lighting lend themselves remarkably well, with many of the lighting rigs used also being controlled via an iPad, so they could easily be adjusted to fit with the mood and colour of any scene.
Enis Rotthoff’s original score is just as hyperactive as the rest of the film, as any scenes that aren’t filled with iconic songs such as: ‘We’ll Be Good Friends,’ ‘Super Freak’ or ‘You Spin Me Round’ are amplified by Rotthoff’s thumping techno soundtrack, with tracks like ‘Neon Grey’ and ‘Playcare’ being perfectly in tune with whatever moment of the story they are a part of.
However, even when keeping all these elements in mind, whether you enjoy ‘Guns Akimbo’ or not will ultimately have to do with whether you find the distinctively zany concept endearing, as the film greatly leans into the comedy of its premise, imagining what it would be like to try and use the bathroom or attempt to call someone when you literally have pistols for hands, which has always been the film’s most notable distinction. In fact, during the film’s pre-production, an image of Daniel Radcliffe panicking and holding a pair of pistols whilst wearing a robe went viral as soon as it surfaced online, creating an aura of awareness for the film before it even had an official trailer.
Overall, ‘Guns Akimbo’ is bloody, brutal and ballistic, colourful and stylish yet admittedly fairly empty-minded. But for a film like this, I don’t think that’s such a bad thing, as while some may argue the film starts to lose its desirability once you realise it doesn’t have much to offer beyond its high-octane action sequences, ‘Guns Akimbo’ never lies to you about what it is, as the action is every bit as ludicrously over-the-top as it would be in the fictional reality of violent video-games like ‘Grand Theft Auto’ and ‘Doom.’ Final Rating: 7/10.