Although its themes and ideas may go over many younger viewer’s heads, ‘Where the Wild Things Are’ feels like a film that reflects what many felt whilst being a child themselves. As writer/director Spike Jonze (Being John Malkovich, Adaptation, Her) creates a moving, thoughtful and occasionally even dark experience that dramatically elevates its original source material, with a charming soundtrack compiled by musician ‘Karen O’ and plenty of wonderful creature designs and locations. ‘Where the Wild Things Are’ is truly a unique yet uncompromising film that sends its audience back to the innocent days of childhood.
Following a fight with his mother and yearning for adventure, a young boy (Max) runs away from home and sails to a mysterious island filled with creatures who take him in as their king after ‘Max’ makes a promise to solve all their problems.
As previously mentioned, the film adaption of: ‘Where the Wild Things Are’ is a large step-up from the original children’s book it’s based-on by Maurice Sendak. As while the classic story of a young boy visiting a land of fantastical creatures in order to escape reality has always been a staple of children’s literature, Jonze manages to deepen the overall narrative with his adaptation. Having themes of maturity, imagination and balancing ones own emotions (all of which are presented in a mature and subtle way). In fact, the film’s production company, Warner Brothers, were initially so unhappy with the final product (as it was far-less family-friendly than they imagined) that they wanted Jonze to reshoot the entire film, instead, the two agreed to satisfy both parties by giving the film more time in production.
Max Records leads the cast as the excitable and resentful: ‘Max’, who gives a genuinely brilliant performance considering the actor’s young age at the time of filming. Alongside him of course, is the group of creatures portrayed by the voice cast of Lauren Ambrose, Chris Cooper, Catherine O’Hara, Forest Whitaker and Paul Dano. Whose voices all match their respective characters flawlessly. Its the late James Gandolfini as ‘Carol’ who really shines within the film however, having the most memorable design of the all the creatures within the original book, ‘Carol’ serves as a reflection of: ‘Max’s childish attributes, from his tantrums to his jealously and sadness, all of which is given such life through Gandolfini’s performance.
While the film’s colour palette remains fairly vibrant throughout despite featuring a large amount of beiges and browns, the cinematography by Lance Acord is sadly the weakest aspect of the film. As ignoring the large array of stunning sunrise/sunset shots, ‘Where the Wild Things Are’ utilises hand-held camera for the majority of its runtime, which when combined with the film’s occasionally chaotic editing can make some scenes feel a little impetuous. Yet despite not having an overly large-budget, the film’s CG effects do still hold-up remarkably well, with all of the facial expressions of the creatures and extensions to many of the island’s locations not seeming even remotely out-of-place.
The film’s soundtrack complied by musician ‘Karen O’ really benefits to the film’s already calming and mature presentation. From the opening track: ‘Igloo’ through to the more upbeat tracks: ‘Rumpus’ and ‘Sailing Home’, to even the film’s more lyric-based tracks with ‘All is Love’ and ‘Hideaway’. The soundtrack for: ‘Where the Wild Things Are’ doesn’t feel like a traditional film score in the best possible sense, giving more of an impression of a slow-paced yet beautiful acoustic guitar album, which just like the film itself, is immensely underappreciated.
However, one of my personal favourite elements of the film and certainly the most visually-striking has to be the many different designs of the creatures who live on the island. As not only do the designs fit each character’s personality, but every design is also a perfect live-action recreation of the creature’s original appearances within the pages of the book, with all of the creatures being brought-to-life using enormous and heavily-detailed suits from the Jim Henson Company rather than simply just using CGI.
‘Where the Wild Things Are’ is to me, an incredibly underrated modern classic. Despite its few flaws, the film surpasses its source material and then some, creating a genuinely gut-wrenching experience at points. Whilst the film has been criticised by some since its release mostly as a result of being seen as too mature and possibly even a little frighting for younger viewers. I believe the film gets across a number of important messages for children, and I appreciate the film’s more in-depth approach to crafting an imaginative family adventure. Overall, a low 8/10. Even though Spike Jonze may not have an extensive catalogue of films as a director, his work never ceases to impress me, and ‘Where the Wild Things Are’ is just another piece of the puzzle.