Although it may not quite reach the heights of some of his other works, director Wes Anderson (The Grand Budapest Hotel, Isle of Dogs, The Royal Tenenbaums) crafts another wonderful story with ‘Moonrise Kingdom’. As throughout its tight runtime, the film is filled with plenty of heartfelt moments and mature humour all backed-up by an effective original score by Alexandre Desplat. Resulting in a very enjoyable comedy/drama, despite Anderson not utilizing his style to its best extent.
On a small island off the coast of New England in the 1960s, a young boy-scout and the eldest daughter of unhappy household fall in love after a few weeks of back and forward letters. Soon inspiring them to run away together, leading various factions of the island to mobilize in search of them.
The story itself is definitely one of the best aspects of: ‘Moonrise Kingdom’, as although the film is brimming with plenty of the usual Wes Anderson style. The film’s story is always so enjoyable to watch, as the film’s two protagonists carry the narrative with great comedic charm and an almost child-like innocence. The dialogue throughout the film is also very well-written, as every character is usually extremely specific about everything they say, leading to many quirky moments.
Initially, the thought of a film lead by two very young actors did concern me, as there has been plenty of films throughout history that have been severely let-down when it comes to child actors in important roles. ‘Moonrise Kingdom’ is certainly an exception to this however, as Jared Gilman and Kara Hayward are both brilliant as the young couple: ‘Sam’ and ‘Suzy’. As the two have excellent chemistry and perfectly fit the hilarious awkwardness of usual Wes Anderson stories. In addition to the two leads, the supporting cast of Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton and Jason Schwartzman are all fantastic within their various roles. Even with these brilliant performances however, the film still does suffer from a mostly pointless adultery subplot, whilst this does provide some characterisation at points, it felt mostly meaningless to me by the time the film’s credits rolled.
The cinematography by Robert D. Yeoman is your standard affair for a Wes Anderon film, having the usual array of very appealing shots, most of which make great use of some of the beautiful natural locations the film’s story takes place-in. Also featuring a variety of panning shots and perfect symmetry wherever possible, the cinematography even manages to make an ordinary room look far more interesting purely through it’s framing and use of colour. In spite of this however, ‘Moonrise Kingdom’ did actually have a smaller-budget than some of Anderson’s other flicks, which does result in the film feeling slightly held-back from taking its visuals all of the way.
Whilst fairly simplistic when compared to some of his other scores, the original score by Alexandre Desplat is somewhat unique and does suitably fit the tone of the film pretty well. As ‘Moonrise Kingdom’ attempts to add a more scout-troop feel to further add to the film’s narrative. In particular, with the track: ‘The Heroic Weather-Conditions of the Universe Parts 4-6: Thunder, Lightning and Rain’ (what a mouthful that is). As this track uses trumpets and horns throughout, almost reflecting how the scouts are woken-up by their scout-master each morning.
One of the most striking elements of: ‘Moonrise Kingdom’ is definitely it’s bright colour palette, as the film is constantly dripping with beautifully bright colours. From greens to yellows, to blues, the film is always incredibly vibrant and extremely visually appealing to the eye, and of course, as the film’s tone is already fairly fun and light-hearted, the colour palette doesn’t feel even remotely out-of-place. However, I do feel the film could’ve indulged further into the 1960s time-period, as aside from the occasional mention of the date, or piece of technology, the film never really makes use of the 60s era its set within.
In my opinion, ‘Moonrise Kingdom’ is definitely an underappreciated gem in director Wes Anderson’s collection, as although the film does have phenomenal reviews from critics and audiences alike. I can’t help but the feel the film never gets talked about enough, as ‘Moonrise Kingdom’ has all the unique style of Anderson’s other films alongside a heartfelt story and plenty of memorable scenes/dialogue. Overall, an 8/10. Despite not being my personal favourite film from Wes Anderson, the film is undeniably worth a watch if you’re a fan of this talented director.