A survival drama set almost entirely in the unfathomable abyss of outer-space, 2013’s ‘Gravity’ is equal parts tense and beautiful. Taking over four years to produce and winning numerous Oscars back in 2014 for everything from its effects to its cinematography to its sound editing, ‘Gravity’ serves as not only the long-awaited follow-up to director Alfonso Cuarón’s previous sci-fi film: ‘Children of Men,’ but also as one of the most immersive films to ever take place in the inhospitable vacuum of space.
Plot Summary: On her very first mission aboard the NASA space shuttle: ‘Explorer,’ novice biomedical engineer: ‘Dr. Ryan Stone’ and her accompanying seasoned astronaut: ‘Matt Kowalski’ come face-to-face with an irrevocable disaster during a routine spacewalk when a barrage of debris from a crippled Russian satellite inflicts devastating damage to their shuttle, leaving them both stranded in orbit…
Co-written by Alfonso Cuarón and his son Jonás Cuarón, ‘Gravity’ is many ways less of a science fiction flick than it is a film grounded in real-world science, as it quickly becomes clear whilst watching ‘Gravity’ that the pair did their research into the fundamentals of space, presenting the narrative almost as if it’s based on a true story oppose to relying on flashy explosions to morph the film into a generic sci-fi blockbuster. Yet interestingly, author Tess Gerritsen actually filed suit against Warner Bros. Pictures following ‘Gravity’s release, claiming the film was unofficially based on her novel and that she was entitled to a screen credit and a fair percentage of the film’s profits, but this was never proven to be true, even if both stories do share many similarities.
With around 80% of the film being shot on a green-screen or consisting of CGI, there were plenty of opportunities for the performances throughout ‘Gravity’ to be underwhelming. And yet, this is not the case, as Sandra Bullock and George Clooney both give brilliant performances here, with Bullock in particular impressing not only due her acting chops, but also her memorisation skills. As with Alfonso Cuarón bringing his signature lengthy takes into ‘Gravity,’ Bullock had to memorise long combinations of precise movements in order to hit her marks for each shot, often even having to coordinate her movements with those of the wire-rig and the camera, which is no easy task.
Brimming with many, many stunning shots in addition to the previously mentioned one takes. ‘Gravity’s cinematography by Emmanuel Lubezki rarely ceases to amaze, as the film wastes no time in capturing the audience’s attention by jumping straight into the story with its opening scene, which begins with the camera traveling from an establishing shot of Earth over to ‘Dr. Stone’ detaching from a structure all without a single cut, which in total, lasts around twelve and a half minutes. That being only one aspect of the impressive camerawork ‘Gravity’ displays, another being the film’s excellent use of P.O.V. shots which place the audience directly into ‘Dr. Stone’s space suit, further adding to the film’s tense atmosphere. Furthermore, all of the film’s cinematography is greatly elevated by the magnificent lighting, editing, and CG effects which back it up.
As a result of: ‘Gravity’s realistic approach, for a large majority of the film’s nighty-nine-minute runtime there is little sound heard aside from dialogue, this places a lot of pressure onto the film’s original score by Steven Price, which luckily, manages to strike the perfect balance between terror and wonder. As tracks like ‘Above Earth,’ ‘Debris,’ and ‘Don’t Let Go’ push the score into becoming a remarkable exploration of the absolute isolationism of outer-space. Gradually building-up with pulsing electronic beats and gloomy vocals, until it eventually expands in intensity and volume alike, capturing the fear of what lies beyond the stars just as it does with the beauty.
The most common criticism ‘Gravity’ has faced since its release is that the film is focused more on spectacle than anything else, as while all of: ‘Gravity’s large-scale set-pieces are usually beyond-thrilling, some shots do feel as if they were implemented purely for the sake of 3D and IMAX screenings, which is difficult to ignore. This alongside the film’s lack of development in some areas does leave ‘Gravity’ a little devoid of memorability when compared to some other iconic films set within the vast emptiness of space, e.g. ‘Ad Astra,’ ‘2001: A Space Odyssey,’ and ‘Moon.’
In conclusion, whilst ‘Gravity’ may not live-up to the immensely positive reviews its received in recent years, it is still a captivating piece of science fiction and a true marvel of filmmaking. It’s just for me personally, I find the actual filmmaking process and behind-the-scenes material of: ‘Gravity’ far more interesting than the story itself, perhaps that’s due to its underdeveloped characters or another element entirely. Regardless, I feel even with its issues, ‘Gravity’ will remain a testament as to what can truly be achieved with modern technology when it comes to film. Final Rating: high 7/10.