Cats (2019) – Film Review

Despite ‘Cats’ being well-known as one of the longest-running stage shows in West End/Broadway history, it is also widely acknowledged that the musical is empty spectacle and not much else. This along with many other reasons, may explain why the adaptation of the musical we received in late 2019 has since gone on to be regarded as one of the worst musicals ever put to film, as director Tom Hooper (The King’s Speech, Les Misérables, The Danish Girl) utterly-squanders an enormous budget and a talented cast in exchange for a paper-thin plot, a constant bombardment of irritating songs and some truly horrendous CG effects that will leave most viewers begging to be put out of their misery.

Plot Summary: A tribe of cats known as the ‘Jellicles’ yearly meet for a ‘Jellicle Ball’ to decide which of their group will ascend to the ‘Heaviside Layer’ and return to a new life. But the mysterious napoleon of crime ‘Macavity,’ has other, more sinister plans…

Ever since it was first announced that Oscar-winning director Tom Hooper would be adapting the iconic feline-focused musical, the film has become such joke-fodder that it’s hard to see past the countless number of memes mocking the film’s dreadful visuals or comedic moments, which is a shame. Not because the film we received is even remotely entertaining of course, but because the adaptation we almost received could’ve been fantastic. As originally, Amblimation planned to adapt the musical into an animated film before the project was shelved following the company’s closure. This idea of translating ‘Cats’ into a traditionally animated film remained all the way to Hooper coming on-board to direct, and in my opinion, also makes considerably more sense considering the original musical is based on the 1939 poetry collection: ‘Old Possum’s Book of Practical Cats’ by T. S. Elliot, a book brimming with whimsical sketches of various cats.

Newcomer Francesca Hayward, stands-out as one of the film’s few redeeming aspects, as her character: ‘Victoria’ serves as an audience surrogate, her empathy occasionally shining through as she is rapidly introduced to character-after-character until we uncover which ‘Jellicle’ cat will be chosen to ascend. The rest of the film’s prominent cast however, including Jennifer Hudson, Taylor Swift, James Cordon, Jason Derulo, Idris Elba, Judi Dench, Rebel Wilson, Ian McKellen and many more, range from subpar to extraordinarily cringy at best, although their performances are further hindered by the story’s lack of characterisation and dramatic moments.

Whilst the film’s cinematography by Christopher Ross does a successful job of upgrading the beige setting of the stage show into a vibrant, neon-lit approximation of old London, allowing for an assortment of visually-pleasing shots, its impossible for: ‘Cats’ to claw itself away from the rest of its distracting visuals. That not only includes the obvious, but also much of the film’s set-design, as several of the large-scale sets the cats enter are supposed to appear overly-large in order to display each cast member as cat-sized, yet there is usually no consistency with this scale between shots.

Andrew Lloyd Webber, creator of the original musical, handles the film’s original score/songs in addition to writing a couple of songs exclusively for the film. And while classic songs like ‘Jellicle Songs for Jellicle Cats,’ ‘The Old Gumbie Cat,’ ‘The Rum Tum Tugger’ and ‘Skimbleshanks: The Railway Cat’ may be beloved among fanatics of the stage show, in the film these songs come across as infuriating as they are so repetitive, barely slowing-down for anything aside from one or two atrocious cat puns.

Lastly, there is the appearance of the cats themselves, by far the most discussed/mocked element of the entire film, and for good reason. As the uncanny part-human, part-CG appearances of the furred cats appear extremely unnatural and very under-polished, so much so, that a mere two-days after the film’s initial release, Universal Pictures announced that they would be releasing an updated version of: ‘Cats’ with enhanced CGI. Whilst this is partly a result of Tom Hooper’s broad direction, an article published the following year by The Daily Beast featured multiple visual effects artists who worked on the film, each claiming they had little-to-no time to finish the film’s huge array of effects, with some artists even having to sleep under their desks to get the film completed on-time, at least, if said article is truthful.

In short, although I’m personally not a fan of Tom Hooper’s filmography, Hooper is not a wholly-incompetent director, but ‘Cats’ is undeniably, an absolute catastrophe of a fantasy-musical from beginning-to-end. Quickly being placed amongst the one-hundred worst films of all-time on IMDb, and forcing the plans for its sequel (and spinoff TV series) to be immediately scrapped, ‘Cats’ is possibly one of the biggest cinematic failures of the past decade, as its copious amount of flaws massively overshadow what few, if any, redeeming factors the film had left, resulting in an insufferable and often embarrassing experience. Final Rating: high 1/10.

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2 thoughts on “Cats (2019) – Film Review

  1. I totally agree and understand where your coming from in this review, with an outstanding cast I was expecting it to be fantastic, but it fell completely flat and even felt quite drawn-out at points.

    Liked by 2 people

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