An unexpectedly memorable romantic-comedy from 2011, ‘Crazy, Stupid, Love’ tells an engaging and touching story of a selection of good-hearted people finding love in their lives and experiencing the many hardships that come along with it, and although romance has always been one of the lesser-interesting genres of film for me personally, ‘Crazy, Stupid, Love’ almost acknowledges what kind of film it is. Always taking a simple yet effective approach to its filmmaking and placing its well-written characters and narrative before anything else.
When a middle-aged husband (Cal Weaver) discovers his wife has had a recent affair with one of her co-workers, his perfect life quickly begins to unravel. But after encountering the handsome womanizer: ‘Jacob’ in a bar, ‘Cal’ is soon taken-on as his wingman and protégé as ‘Jacob’ opens his eyes to the many new opportunities that lie before him.
Directed by Glenn Ficarra and John Requa (I Love You Phillip Morris, Focus, Whiskey Tango Foxtrot) and written by Dan Fogelman, ‘Crazy, Stupid, Love’ actually has a fairly strong script for a rom-com, and although this shouldn’t be too surprising considering Fogelman has written a number of superb animated Disney flicks in the past such as: ‘Bolt’, ‘Cars’ and ‘Tangled’, before later moving-on to more adult-focused comedies with ‘Last Vegas’ and ‘The Guilt Trip’. ‘Crazy, Stupid, Love’ only features a handful of characters, with every-one of them receiving a decent amount of characterisation and becoming quite likeable over the course of the runtime. The film even manages to feature a couple of unexpected reveals later-on within the story, which only further elevates the script.
The all-star cast of Ryan Gosling, Julianna Moore, Emma Stone and Marisa Tomei are all brilliant in their respective roles, but of course, with three Oscar-winners as well as two Oscar-nominees among them, this isn’t much of a shock. Its the film’s protagonist: ‘Cal’ portrayed by Steve Carell that is the obvious stand-out though, as ‘Crazy, Stupid, Love’ was actually one of the first films that Carell put aside his usual goofball schtick in exchange for a more grounded-character, as he portrays a miserable divorcee now with little direction in his life, before his eventual transformation into an ego-driven womaniser similar to ‘Jason’ himself. However, on the opposite side of this, Kevin Bacon as ‘David Lindhagen’ (aka. the romantic rival) is the obvious weak link of the cast, as aside from only two shorts scenes, his character and the threat that he poses to ‘Cal’s ruptured marriage is barely explored, making him feel incredibly under-utilised.
The cinematography by Andrew Dunn never displays anything that will leave its audience in awe, yet does still feel like a slight step-up from the usual bland camera work of many other romantic-comedies. The cinematography truly reaches its peak in the scene: ‘Great Dress’ however, in which, ‘Cal’ (now with his newly-found manhood) flirts with various different women on a number of different nights, all the while the camera gently glides through the bar displaying the passage of time through ‘Cal’s large wardrobe of stylish outfits.
Christophe Beck and Nick Urata take-on the original score for the film, which for the most part, does suitably back-up the film’s story and displays a large amount of range in regards to instruments that are used, despite the score overall being far from astonishing. Yet bizarrely, the film’s soundtrack was never officially released by production company Warner Brothers, resulting in many fans of the film having to create their own playlists to combine the film’s many recognisable songs once again.
Although ‘Crazy, Stupid, Love’ does primarily focus-on its aspects of romance and comedy, the film also handles its drama fairly well. Never interrupting any of its more-serious moments with scenes of over-the-top humour, most of which usually coming from the film’s main subplot which focuses-on ‘Cal’s son: ‘Robbie’ as he lusts after his older babysitter. Occasionally, the film also indulges in a variety of more self-aware jokes, as the film references some of the many over-done clichés that infest films like ‘Notting Hill’ and ‘Love Actually’ through its dialogue, e.g. an immediate rainstorm after a heartbreaking argument/break-up.
In my opinion, ‘Crazy, Stupid, Love’ is more than successful in its attempt to craft an emotional and amusing story even in spite of the little innovation the film displays when it comes to its cinematography or original score. As the film’s upbeat approach to its tight plot leaves it an enjoyable flick that fully embraces what genre it’s only a small-piece of, serving as somewhat of a homage alongside remaining quite a leisurely watch itself. A low 8/10 altogether. Whether you usually drift towards this genre or not, I feel most viewers would struggle to dislike ‘Crazy, Stupid, Love’, as simply put, the film is just a delightful experience to sit through.