Based on the BAFTA-nominated short: ‘Emotional Fusebox,’ which premiered at the London Film Festival in 2014. ‘Adult Life Skills’ is the directorial debut of writer and director Rachel Tunnard, who was primarily an editor before writing and directing the original short film. And whilst Tunnard’s lack of experience in these duel roles is evident, now and then, as this low-budget coming-of-age comedy-drama hardly breaks new ground when it comes to its respective genres. The endearingly quirky story, distinctly British charm, and august performance from Jodie Whittaker all make ‘Adult Life Skills’ well worth a watch.
Plot Summary: Deeply grieving from the death of her twin brother, twenty-nine-year-old: ‘Anna’ spends her days living in her mother’s shed, retreating into herself as she makes videos using homemade props and her thumbs as actors. But on the eve of her 30th birthday, ‘Anna’ meets a troubled little boy going through the same life-altering experience she did, a boy who may be the answer to getting her out of her year-long slump…
Originally titled: ‘How to Live Yours.’ ‘Adult Life Skills’ had its first appearance at a film festival just as its predecessor did, only this time around, it was the 2016 Tribeca Film Festival, where Rachel Tunnard quickly won one of the top awards: the Nora Ephron prize for best female director. Yet, in my opinion, much of the allure of: ‘Adult Life Skills’ comes from its screenplay rather than Tunnard’s direction, as the dialogue is continuously both witty and dramatic, balancing moments of laughs and tears without ever feeling disjointed or unnatural, amplifying the film’s feeling of solace and upbeat tone thanks to its homespun, playful aesthetic.
Jodie Whittaker, who reprises her role from ‘Emotional Fusebox,’ portrays ‘Anna’ magnificently, rapidly jumping from one emotion to another as ‘Anna’s method of grieving often manifests in her hiding away from her own life, locking herself inside her mother’s shed as she cherishes her brother’s old clothes and watches videos the pair made together during their younger days. Essentially, ‘Anna’ is a character whose growth has been stunted by grief, and the story explores this concept of a person growing into adulthood with a piece of their identity personified in a lost sibling brilliantly, an idea that is only enhanced by Whittaker’s sublime performance. Needless to say, it takes her mother’s grumbling, her grandmother’s wisdom, and her best friend’s guidance to help bring her back into the real-world, restoring her life to what it once was, and the supporting cast of Lorraine Ashbourne, Eileen Davies and Rachael Deering all do a great job of bringing these characters to life, despite some of the side characters being woefully underdeveloped.
One advantage ‘Adult Life Skills’ has over many other British stories is its setting, as the film truly feels as if it couldn’t be set anyway else. Breaking away from the typical locations where stories within the United Kingdom tend to be set such as London or less commonly Manchester/Birmingham, in exchange for the remote Yorkshire countryside, a unique location that even helps to redeem the film’s over-reliance on hand-held techniques when it comes to the cinematography by Bet Rourich. As Yorkshire has more than its fair share of natural beauty, even when the weather is gloomy.
Although there is no original score for the film, most likely due to budgetary restrictions. ‘Adult Life Skills’ does feature a number of songs both well-known and obscure. From ‘Jesus Came to My Birthday Party’ to ‘You Lost Sight on Me,’ ‘Champions of the River Nile’ and ‘Here I Go Again,’ every song that can be heard throughout the runtime fits the tone remarkably well, never once feeling inappropriate or unsuitable to the specific scene they are featured within.
In addition to being a comedy-drama, ‘Adult Life Skills’ makes a few (unsuccessful) attempts towards being a romantic-comedy, as one of: ‘Anna’s close friends, the soft-spoken, estate agent: ‘Brendan’ portrayed by Brett Goldstein, persistently speaks to ‘Anna,’ trying to impress her with his comforting charm and handmade gifts. His efforts are ultimately pointless, however, as ‘Anna’s jading reactions to his kind gestures are on account of: ‘Anna’ believing ‘Brendan’ is gay. And whilst this misunderstanding does result in a winsome relationship, this subplot suffers due to not being given enough attention, as the story instead places far more emphasis on ‘Anna’s relationship with her mother and the young boy: ‘Clint,’ who is surprisingly well portrayed by the then eight-year-old actor Ozzy Myers.
In short, ‘Adult Life Skills’ is a film that wears its oddball eccentricities on its sleeve. Tackling weighty themes of grief, loneliness and dealing with one’s emotions, while simultaneously never losing its optimistic outlook. In many ways, ‘Adult Life Skills’ is an undemanding film for those in need of something comforting, an easily watchable comedy-drama that is sure to put a smile on most viewers’ faces, even in spite of its overly familiar ideas. Still, there’s no denying that Jodie Whittaker is the best thing about ‘Adult Life Skills,’ as whenever the screenplay is lacking, Whittaker appears on-screen with confidence, fleshing-out ‘Anna’ as a sympathetic character and ensuring the audience remains emotionally invested in what is occurring narratively. Final Rating: 7/10.