Inside Out (2015) – Film Review

From the iconic animation studio Pixar, who brought-us animated classics such as: ‘Toy Story’, ‘Monsters, Inc.’, ‘Finding Nemo’, ‘The Incredibles’ and ‘Ratatouille’ among many others. Comes another emotional and beautifully animated adventure with some surprisingly deep concepts and ideas to boot. As ‘Inside Out’ takes-place nearly entirely inside the mind of a young girl, focusing on how her various emotions handle new and unexpected changes within her life.

After young ‘Riley’ is uprooted from her Midwest life and moved to San Francisco, her emotions: ‘Joy’, ‘Sadness’, ‘Fear’, ‘Anger’ and ‘Disgust’ all being to conflict on how best to navigate a new city, house, and school. But after a freak accident causes ‘Joy’ and ‘Sadness’ to be flung from ‘Headquarters’ with ‘Riley’s core memories, the two have to find their way back before its too late.

Even though ‘Inside Out’ usually streamlines many of its story’s concepts and themes to make them more understandable for children, the animated flick also never fails to remain both very imaginative and very colourful throughout its runtime. As with the film’s story taking-place within the mind of an eleven-year-old girl, ‘Inside Out’ doesn’t hold-back from bringing-to-life the world within a child’s head, a world not confined by the barriers of logic and psychics. From ‘Imagination Land’ to ‘The Train of Thought’ and ‘Long Term Memory’, ‘Inside Out’ constantly explores plenty of amusing locations and is always building on its enchanting ideas.

Despite some characters not receiving quite as much screen-time as others, ‘Riley’s various emotions are portrayed superbly by Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, and Mindy Kaling, with Amy Poehler and Phyllis Smith as ‘Joy’ and ‘Sadness’ being the true stand-outs of the cast. As their two characters bounce extremely well of each other due to the polarity of their friendship, which also makes for plenty of humorous moments. Richard Kind also makes an appearance within the film as ‘Bing Bong’, ‘Riley’s imaginary friend from when she was younger, who in many ways is the true heart of the film. As alongside his variety of entertaining quirks (some of which do result in a few immature jokes). ‘Bing Bong’ also ends-up becoming a very likeable and charming character mostly as a result of the scene: ‘The Memory Dump’, easily one of: ‘Inside Out’s most impactful and heartbreaking moments.

Filled with plenty of inventive shots throughout, the animated cinematography does add to the film’s already incredibly vibrant colour palette and varied locations, with a constant array of attractive shots, the film’s visuals are always appealing to look at when inside ‘Riley’s mind. Yet when the viewer is thrown back into the real world, the colour palette is far more pale and tame, creating a clear visual contrast between the two.

Featuring a number of memorable tracks such as: ‘Bundle of Joy’, ‘Team Building’, ‘Rainbow Flyer’ and even the track that plays over the film’s ending credits: ‘The Joy of Credits’, the original score by Michael Giacchino is truly one of the best scores Pixar has to offer, even when taking into account their already impressive list of soundtracks. As nearly all of the film’s best moments whether comedic or emotional are elevated by the film’s wonderful score, with many of the tracks throughout ‘Inside Out’ displaying great variety and talent.

Similar to many of the other films from Pixar’s catalogue, the animation throughout ‘Inside Out’ is simply gorgeous. As not only do all of the designs of the different emotions differ drastically depending on which emotion they representing, but the level of detail on every-character and location throughout the film is astounding, with the individual particles that make-up each emotion even being visible during many of the film’s close-ups. Interesting, when ‘Inside Out’ was in the very early stages of its development, many other emotions were also considered as characters (around twenty-seven in total). After it was eventually settled on the core five to make the narrative less complicated, leaving many other emotions to be left on the cutting-room floor, e.g. ‘Surprise’, ‘Pride’, and ‘Trust’.

Overall, ‘Inside Out’ is definitely worth an 8/10. Although this animated flick isn’t without its faults, ‘Inside Out’ still remains a delightful experience from start-to-finish, mostly due to its unique story, great voice performances and extraordinary visuals, the film really feels as if there isn’t the slightest ounce of laziness put-into crafting it. Whilst there has been plenty of other exceptional animated classics produced by Pixar in the past, their fifteenth animated feature is certainly one of their most experimental yet least discussed to date, which I think is a shame. As while ‘Inside Out’ may be aimed mostly towards children, I feel this film might speak an even deeper volume to adults.

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What Happened to Pixar Animation? – Film Discussion

Whatever happened to the beloved animation studio Pixar?

Pixar Animation used to make some phenomenal animated adventures that the entire family could enjoy together. Regardless of their age. Mixing brilliant storytelling with beautiful animation and incredibly memorable characters. Each film never failed to stand-out amongst the rest. Some of the films such as: ‘Monsters, Inc.’ or ‘Wall.E’ for example (my personal favourite Pixar films), really got creative with their own narratives and flushing out their individual worlds. However, in recent years, I’ve noticed a serve downgrade in quality from their films. As it seems ever since the release of ‘Toy Story 3’ back in 2010, Pixar has had a real reliance on sequels, prequels and spin-offs over original films. While still mostly enjoyable, I have noticed the storytelling, character arcs and world-building all seem to be lacking when compared to their earlier films.

In recent years films such as: ‘The Good Dinosaur’, ‘Monsters University’, ‘Brave’, ‘Finding Dory’, ‘Cars’ 2 and 3 and of course the upcoming ‘Toy Story 4’. Have all ranged from sub-par through to simply awful, the ‘Cars’ series of course being the best example of this. As this series has always been Pixar’s black sheep. Never truly having the magic that makes Pixar special, always feeling like more of a cash-grab than anything else. ‘Cars 2’ being the easiest example of this, as this film is Pixar’s only rotten film to date. The ‘Cars’ series has always felt very immature to me, although I didn’t hate the original film, it’s definitely no one’s favourite. In regards to Pixar’s other sequels: ‘Finding Dory’ and ‘Toy Story 4’, ‘Finding Dory’ is nothing more than a reskinned ‘Finding Nemo’, with the exception of a few amusing characters, the film has nothing more really to offer. Despite having fantastic reviews from critics for some reason, the film was never anything other than a massive nostalgia slap for me. As of now ‘Toy Story 4’ hasn’t been released yet, but I feel when it does it’ll be another film with great reviews, but with nothing truly memorable about it. As I personally believe the ‘Toy Story’ trilogy was ended so well, I don’t truly don’t understand why they feel the need to continue that story other than profit.

‘Monster’s University’ is probably my favourite of Pixar’s recent continuations of their old stories, although I don’t think the film reaches the heights of ‘Monster’s Inc.’ Purley due to less originality and dark themes. I do still think the film is very funny, and it does explore the monster world further. It’s one of the few films I can say where it feels there was true thought put into it, as it doesn’t just lean on the legacy of the previous film. Finally, we come to Pixar’s original films. This being ‘The Good Dinosaur’ and ‘Brave’, now whilst I don’t think these films are awful per-say. They simply just aren’t that memorable. ‘Brave’ having a few funny moments and an interesting setting, but falls more into classic 2D animated story at points. As for ‘The Good Dinosaur’, it’s simply a returning home story, with nothing of note at all other than the nice animation. It seems most people agree with me on this one too, considering its very low box office return.

Now of course, there are some recent exceptions, Pixar’s ‘Inside Out’, ‘Coco’ and last year’s ‘Incredibles 2’ I did enjoy very much. These films proved to me that Pixar still does have some great stories in them, although these films aren’t perfect and I wouldn’t rank them as high as the classic Pixar films personally, they definitely show potential. I would love to see more original animated films like this from Pixar. Considering how much money ‘Coco’ made when it was released, it’s clear they still make money just from the Pixar name alone. So why do they feel the need to rely on sequels? Many people would point to Disney pulling their leg, and although I could believe that. I also think it’s due to Pixar simply becoming uninterested, they now think of themselves as the animation giants the audience believes they are. This means they no longer take risks, and are comfortable simply gaining profit of their previous franchises.

This could also be due to a lack of original ideas of course, Pixar simply feeling more comfortable returning to their previous stories. But considering some of their big competitors such as: DreamWorks Animation, Blue Sky Animation, Warner Bros. Animation and Illumination Animation are all still pumping out original films (granted not all quite to the Pixar standard). Films such as: ‘Captain Underpants: The Epic First Movie’, ‘Ferdinand’, ‘The Lego Movie’ and ‘Despicable Me’ are all still a very enjoyable watch. Some of these films even making a pretty big box office return. With the ‘Despicable Me’ spin-off: ‘Minions’ even becoming one of the highest-grossing animated films ever earning over £900 million. Even the company teamed up with them: Disney. Are beating them recently when it comes to original animated flicks. With Disney’s ‘Zootropolis’ being one of my favourite films of 2016 when it was originally released.

In conclusion, what happened to Pixar Animation is very clear to me. They simply got lazy, focusing far more on wanting to make a large profit rather than give their audience new exciting stories. The company isn’t completely dead, films like ‘Coco’ and ‘Inside Out’ clearly proving there is still talent there. But with the older writers and creators now backing down from the company with newer faces arising. I’m concerned that Disney and Pixar executives may continue to push for more sequels, prequels and spin-offs with the knowledge that the films will always make money regardless of their quality. This is mostly why I fear for: ‘Toy Story 4’, as even though I really hope the film is great, I currently have a lot of doubts in my mind about it. Pixar however, have also recently brought out a trailer for their next film following on from ‘Toy Story 4’ titled: ‘Onward’, which does appear to be a completely original story focusing on elements of fantasy and adventure, so perhaps not all is lost for the iconic animation company just yet. But only time will tell I suppose.

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