From the iconic animation studio Pixar, who brought-us animated classics such as: ‘Toy Story’, ‘Monsters, Inc.’, ‘Finding Nemo’, ‘The Incredibles’ and ‘Ratatouille’ among many others. Comes another emotional and beautifully animated adventure with some surprisingly deep concepts and ideas to boot. As ‘Inside Out’ takes-place nearly entirely inside the mind of a young girl, focusing on how her various emotions handle new and unexpected changes within her life.
After young ‘Riley’ is uprooted from her Midwest life and moved to San Francisco, her emotions: ‘Joy’, ‘Sadness’, ‘Fear’, ‘Anger’ and ‘Disgust’ all being to conflict on how best to navigate a new city, house, and school. But after a freak accident causes ‘Joy’ and ‘Sadness’ to be flung from ‘Headquarters’ with ‘Riley’s core memories, the two have to find their way back before its too late.
Even though ‘Inside Out’ usually streamlines many of its story’s concepts and themes to make them more understandable for children, the animated flick also never fails to remain both very imaginative and very colourful throughout its runtime. As with the film’s story taking-place within the mind of an eleven-year-old girl, ‘Inside Out’ doesn’t hold-back from bringing-to-life the world within a child’s head, a world not confined by the barriers of logic and psychics. From ‘Imagination Land’ to ‘The Train of Thought’ and ‘Long Term Memory’, ‘Inside Out’ constantly explores plenty of amusing locations and is always building on its enchanting ideas.
Despite some characters not receiving quite as much screen-time as others, ‘Riley’s various emotions are portrayed superbly by Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, and Mindy Kaling, with Amy Poehler and Phyllis Smith as ‘Joy’ and ‘Sadness’ being the true stand-outs of the cast. As their two characters bounce extremely well of each other due to the polarity of their friendship, which also makes for plenty of humorous moments. Richard Kind also makes an appearance within the film as ‘Bing Bong’, ‘Riley’s imaginary friend from when she was younger, who in many ways is the true heart of the film. As alongside his variety of entertaining quirks (some of which do result in a few immature jokes). ‘Bing Bong’ also ends-up becoming a very likeable and charming character mostly as a result of the scene: ‘The Memory Dump’, easily one of: ‘Inside Out’s most impactful and heartbreaking moments.
Filled with plenty of inventive shots throughout, the animated cinematography does add to the film’s already incredibly vibrant colour palette and varied locations, with a constant array of attractive shots, the film’s visuals are always appealing to look at when inside ‘Riley’s mind. Yet when the viewer is thrown back into the real world, the colour palette is far more pale and tame, creating a clear visual contrast between the two.
Featuring a number of memorable tracks such as: ‘Bundle of Joy’, ‘Team Building’, ‘Rainbow Flyer’ and even the track that plays over the film’s ending credits: ‘The Joy of Credits’, the original score by Michael Giacchino is truly one of the best scores Pixar has to offer, even when taking into account their already impressive list of soundtracks. As nearly all of the film’s best moments whether comedic or emotional are elevated by the film’s wonderful score, with many of the tracks throughout ‘Inside Out’ displaying great variety and talent.
Similar to many of the other films from Pixar’s catalogue, the animation throughout ‘Inside Out’ is simply gorgeous. As not only do all of the designs of the different emotions differ drastically depending on which emotion they representing, but the level of detail on every-character and location throughout the film is astounding, with the individual particles that make-up each emotion even being visible during many of the film’s close-ups. Interesting, when ‘Inside Out’ was in the very early stages of its development, many other emotions were also considered as characters (around twenty-seven in total). After it was eventually settled on the core five to make the narrative less complicated, leaving many other emotions to be left on the cutting-room floor, e.g. ‘Surprise’, ‘Pride’, and ‘Trust’.
Overall, ‘Inside Out’ is definitely worth an 8/10. Although this animated flick isn’t without its faults, ‘Inside Out’ still remains a delightful experience from start-to-finish, mostly due to its unique story, great voice performances and extraordinary visuals, the film really feels as if there isn’t the slightest ounce of laziness put-into crafting it. Whilst there has been plenty of other exceptional animated classics produced by Pixar in the past, their fifteenth animated feature is certainly one of their most experimental yet least discussed to date, which I think is a shame. As while ‘Inside Out’ may be aimed mostly towards children, I feel this film might speak an even deeper volume to adults.