One of my favourite sci-fi films from this past decade, ‘Snowpiercer’ is constantly gripping, exciting and very dark throughout its original plot and exploration of the interesting world its story takes place-in. As the film chooses to explore the worst of humanity through some gorgeous cinematography by Kyung-pyo Hong and some truly brilliant writing. Making ‘Snowpiercer’ overall, a superb science fiction thriller, all under the genius hand of director Bong Joon-Ho, who recently gained a large amount of traction through his Oscar-winning film: ‘Parasite’.
In a future where a failed climate-change experiment has killed all life except for the lucky few who boarded the ‘Snowpiercer’, a train that travels around the globe, a new class system begins to emerge on-board as ‘Curtis’ leads a revolution with the train’s lower-class citizens.
Despite director Bong Joon-Ho (Memories of Murder, The Host, Okja) usually sticking to this style, the very bleak tone of: ‘Snowpiercer’ may leave many audience members in a depressing mindset long after their initial viewing, as the film deals with a variety of themes such as: poverty, social class and survivalism, all portrayed in a dark and negative fashion. However, in spite of this, the film never fails to still be very entertaining and thrilling, mostly as a result of its fairly quick-pacing and exhilarating action scenes. Although it may surprise many, ‘Snowpiercer’ also takes heavy inspiration from the French graphic novel: ‘Le Transperceneige’ by Jacques Lob, with the two stories sharing many similarities and many differences throughout their respective mediums.
Chris Evans, Jamie Bell, Tilda Swinton, Song Kang-ho, Octavia Spencer, John Hurt and Ed Harris are all fantastic throughout the film within their various roles, especially Tilda Swinton as the villainous and oppressive: ‘Manson’ (who completely nails many of the film’s most memorable lines). In addition to this, the film’s characters also get plenty of development throughout the narrative, to be specific, the film’s protagonist: ‘Curtis’, as this character becomes far more tragic nearing the end of the film, eventually leading him to devolve from what we would usually expect to see from our main character.
The cinematography by Kyung-pyo Hong is pretty creative and visually impressive throughout the majority of the runtime, as the film’s cinematography backs-up it’s story and drama very effectively. The film’s colour palette also plays into this, as the dirty greys, greens and blacks of the train’s tail all further display the contrast between the wealth of the different people on-board. Of course, due to the film also being packed with a large number of action scenes, the cinematography does become slightly shakier during many of these moments, yet it is still clear what is happening throughout. One of these scenes in particular, known as: ‘The Tunnel’, I found extremely inventive, as this entire scene takes place in total darkness, with night-vision being utilized exceptionally-well. This scene was also filmed without any additional lighting according to director Bong Joon-Ho.
Although a little uninspired during some of the action scenes, the original score by Marco Beltrami does fit the story perfectly throughout most of the film. Especially when it comes to tracks such as: ‘This is the End’ or ‘Yona’s Theme’, as the soundtrack matches the bleak tone of the film extremely well. The score also helps to add more impact to many of the more shocking moments within the story, as at multiple points during the narrative, the film reveals certain aspects of this twisted train society which really deepens film’s world.
As the film is set entirely within the futuristic train, the film does do a surprisingly excellent job of the keeping the film’s set-pieces unique through the sheer variety of sets on display, as the film takes the audience from the dirty tail of the train, through to a classroom, a nightclub, and eventually even a spar, further emphasising ‘Snowpiercer’s themes of social class. Another element of the film I adore is Joon-Ho’s focus on small details, as the film always alludes to smaller aspects of the story or characters which aren’t fully delved-into, only hinted at. Despite all of this however, ‘Snowpiercer’ isn’t totally flawless, as the film does become a little cheesy at points, mostly due to the occasional editing choice or line of dialogue, but this is very rare.
Even though ‘Snowpiercer’ isn’t the best modern sci-fi to date, I personally don’t think the film is far off, from its creative ideas through to its beautiful cinematography and great original score. The film easily overcomes its few cheesy moments and slightly dated CGI here and there. Overall, a high 8/10, with a few tiny changes, I honestly believe that this exciting sci-fi flick could be up there with the likes of: ‘Arrival’, ‘Ex_Machina’ and ‘Moon’ when it comes to modern science fiction.