This sequel to the original: ‘Purge’ film released just a year earlier is a slight improvement over the first, yet still doesn’t fare much better overall. As while ‘The Purge: Anarchy’ does deliver more-on what its initial film set-up, now focusing-on a small group of characters attempting to survive the night of chaos and murder out on the abandoned streets of Los Angeles. ‘The Purge: Anarchy’ doesn’t do enough with this new perspective, and it soon becomes quite evident that it isn’t going to be enough to save the film from its return to weak filmmaking and storytelling.
As another year’s ‘Purge Night’ commences, two groups of survivors unintentionally intertwine after being rescued by a mysterious stranger out on a mission. Now stranded and in desperate need of a vehicle, the group agree to stick together in order to survive against the many ‘Purgers’ out for blood.
Once again directed by James DeMonaco, it’s clear from the larger-scale that ‘The Purge: Anarchy’ is aiming for that the film is trying to please the audience that were dissatisfied with the first entry in the franchise, ditching the small-scale home-invasion story in favour of becoming more of an action-focused thriller that further explores its disturbing world. Yet even with the many themes of: ‘The Purge’ series still present, ‘The Purge: Anarchy’ manages to feel like a bigger waste of potential than the first film. As in spite of the fact we get to see how many different Americans spend their murderous night, the film still feels quite restrained, never delving enough into each baleful group of: ‘Purgers’ or their violent deeds.
Frank Grillo leads the cast this time around as a character only known as ‘The Sergeant’, who has easily become the most beloved character in the series since ‘The Purge: Anarchy’s initial release, soon becoming the only character to return in a later ‘Purge’ film. However, whilst I understand why most viewers resonate with his character, I did feel much of his characterisation was lost as a result of a large amount of his dialogue (including his backstory) being cut during post-production. The sequel’s cast also includes Carmen Ejogo and Zoë Soul who both give decent performances, as well as the other two cast members of Zach Gilford and Kiele Sanchez, who are both about as irritating and dim-witted as horror characters come, having nothing but scene-after-scene of the two making moronic decisions after plenty of panicking.
Unfortunately, returning cinematographer Jacques Jouffret doesn’t innovate much on his style of cinematography from the first film, relying very heavily-on hand-held camerawork now just with slightly better lighting due to the many street lights above the character’s heads. Although there are still a few interesting shots, the only real aspect of the film that manages to stand-out stylistically is the film’s end credit sequence, which combines footage from both of the ‘Purge’ film released at the time in addition to shots of fire, bullets, blood and the American flag, all key visuals of the series.
Nathan Whitehead’s original score is very similar to that of the first film, mostly consisting of a series of tracks that lack anything overly-distinctive about them, being utilised mostly within the film to help build tension. That is with the exception of the track: ‘Commencement’ however, being without a doubt the best track of the entire score, this impactful and brooding track plays when ‘The Purge’ first begins, making for one of the film’s most excitingly memorable scenes.
Whilst this was also an issue in the original: ‘Purge’ film, ‘The Purge: Anarchy’ carries-over the same problem, suffering repeatedly throughout the runtime as a result of its many awful CG effects. Most notably, the heavy overreliance on CG blood, which looks dreadful in nearly every shot it’s featured in. That being said, ‘The Purge: Anarchy’ does also take-on one of the previous film’s best elements, that being the many frightening (and occasionally also iconic) masks. From skulls, to blood-stained hockey masks to even a simple white bag, nearly all of the masks seen during ‘The Purge’ franchise manage to add a little personality and character to each film’s signature psychopaths.
Sadly, ‘The Purge: Anarchy’ is another lacklustre entry within ‘The Purge’ series, even though I do feel a similar plot to this one could be executed-well, ‘The Purge: Anarchy’ somehow manages to feel more disappointing as it tries to be more ambitious. Whilst the film is perhaps the best entry in the current series (which isn’t really a compliment), mostly due to Frank Grillo’s engaging performance alongside the film’s feeling of rush as the group attempt to live through this yearly night of violence, ‘The Purge: Anarchy’ does still rely far too heavily on its central concept to carry-it through its narrative. All in all, a 4/10.