Upon its initial release, the original: ‘Blair Witch Project’ blew many audiences away with its realistic depiction of found-footage horror, subsequently leading many audience members to believe that the events they were watching on-screen actually took place, making for a truly petrifying experience. However, now, many years after its first appearance, the film’s reputation has significantly altered with both critics and audiences alike, as ‘The Blair Witch Project’ is definitely a film that lies outside of the usual horror clichés.
Plot Summary: When three student filmmakers travel to Burkittsville, Maryland, in attempt to produce a documentary based around the local urban legend: ‘The Blair Witch,’ they mysteriously disappear after traveling into the nearby Black Hills Forest, leaving only their footage behind to be discovered one year later…
Whilst ‘The Blair Witch Project’ wasn’t the original found-footage horror film, with the infamous exploitation flick: ‘Cannibal Holocaust’ first introducing the horror subgenre in 1980. ‘The Blair Witch Project’ was the first film to popularise the found-footage concept, as this film was at one point in time in the ‘Guinness Book of World Records’ for the largest box-office ratio. As the low-budget film only had a budget of around £45,000 and made back over £189 million, quickly spawning an inconsistent horror franchise despite the film’s only partially complete backstory for its creature and setting.
The three main cast members of Heather Donahue, Joshua Leonard, and Michael C. Williams (who all share their real names with their characters), are all tremendous throughout the film. As while their character’s don’t receive nowhere near as much development as they should considering how much screen-time we spend with them, each one of the actors do give the impression they are becoming more tormented and frustrated the longer they remain in the Black Hills Forest. The main reason the film’s protagonists don’t receive much characterisation, however, is actually due to the film’s production itself. As with the film not focusing very heavily on story, the actors were given no more than a thirty-five page outline of plot-points rather than a full screenplay. So, as filming continued, the cast just played-out various scenes, only having little knowledge of the mythology behind: ‘The Blair Witch’ and improvising the vast majority of their lines.
Practically the entirety of the cinematography by Neal L. Fredericks is exactly what you’d expect from a found-footage horror, featuring an abundance of both shaky and out-of-focus shots, further adding to the idea that just behind the lens is a group of amateur student filmmakers (with some scenes even being shot by the cast themselves). In addition to the hand-held camerawork, the film’s visuals are also quite distinctive when it comes to its visual quality, as throughout the duration of the film, many shots remain incredibly grainy and occasionally even switch to a completely greyscale colour palette, which again, whilst adding to the realism of the film being a no-budget student documentary, does ensure the absence of any genuinely attractive shots.
Although its only heard during the film’s atmospheric end credits, ‘The Blair Witch Project’ does actually have an original score composed by Antonio Cora, but obviously being a found-footage horror, the film mostly aims to please with its sound design. As the sounds of crackling leaves and chirping birds are heard continuously, with many of the eerie branch-cracking sounds heard at night even being made by the director and his friends simply walking-up to the cast’s camp-perimeter and then tossing around twigs, rocks, and branches in various directions.
The main aspect that many will either adore or despise about ‘The Blair Witch Project’ is its previously mentioned focus on realism and minimalist storytelling, as while the film does utilise its forest setting very effectively throughout the runtime, many who may be expecting a thrilling final act or possibly even a glimpse at ‘The Blair Witch’ herself will be greatly disappointed. As a result of the story’s constant emphasis on realism, the film never actually provides any evidence of the supernatural, with many of the film’s tense moments mostly relying on the darkness of the woods or the belligerent quarreling between the characters.
In conclusion, ‘The Blair Witch Project’ is certainly a fascinating horror film even if it isn’t always a successful one. As to this day, this found-footage indie flick is a very divisive film for horror fans, with a 86% score on Rotten Tomatoes, the film has the highest-rating of any film that was also nominated for a Razzie Award for Worst Picture. So, even with the cast’s impactful performances and ‘The Blair Witch’ herself being an intriguing urban legend, this is one horror that really depends on your personal taste. For myself, while I find the film far from perfect and considerably less compelling than many other iconic horrors, I can appreciate what this experimental piece of filmmaking (and its marketing) was trying to accomplish, and for that, I feel its worth at least one viewing for any fan of the genre. Final Rating: high 6/10.
One thought on “The Blair Witch Project (1999) – Film Review”
Great review! Very insightful, and I actually kinda agree with a lot of your observations. I wouldn’t give it a 6/10 though, perhaps a 4/10 or 5/10, it feels a bit outdated now…
LikeLiked by 1 person